Calendar

Sunday, April 9, 2017 2pm

Dempster Street Pro Musica

S.P.A.C.E.
1245 Chicago Avenue
Evanston, Illinois

Swing Into Spring with Madeleine Dring, Gershwin and Poulenc

$38 general admission
www.dempstermusica.org
847 905.0875

Saturday, April 22, 2017 1:30pm

MUSIC FOR A SAFE SPACE
Benefit Concert for SARAH'S CIRCLE

Patrice Michaels With Cavatina Duo, Eugenia Moliner, flute & Denis Azabagic, guitar

Logan Center For The Arts, Performance Penthouse
915 South 60th Street, Chicago

$50 suggested minimum donation, tickets in advance
www.patricemichaels.com
www.cavatinaduo.com

www.sarahs-circle.org

Sunday, April 30, 2017

Chicago Opera Theater Gala 2017

Jazz Meets Classical After Dinner Set 
Patrice Michaels, soprano & Kuang-Hao Huang, piano

Harris Theater For Music And Dance
205 East Randolph Street
Chicago 60601

Cocktail reception following the 3pm opera, dinner onstage at the Harris Theater, silent auction and entertainment

312 704.8420

chicagooperatheater.org/events

Sunday, May 21, 2017 3pm

CSO Chamber: All-Access
Mallarmé Quartet And Friends

Logan Center For The Arts Performance Penthouse
915 South 60th Street, Chicago

Max Raimi: Story of the Pennies; At My Wedding

No admission charge
http://cso.org/ticketsandevents/production-details-2016-17/cso-chamber/aac5-mallarme-quartet/

News

Patrice is a featured composer on Cedille Record's new SPOTIFY Playlist Of The Month!  This month's theme is Chicago Composers, so Patrice will be heard singing "Anita's Story," her own composition on INTERSECTION: Jazz Meets Classical Song.  The playlist includes a wide variety of new and newer music by a wonderful variety of Chicago composers.  Check it out here

Glimmerglass 2016Writing and Singing - Singing and Writing: August at Glimmerglass Festival in Cooperstown, New York found Patrice performing three of her songs from The Long View, A Portrait Of Ruth Bader Ginsburg In Song.  Pianist/coach Sahar Nouri shared the stage with Patrice, Glimmerglass Young Artists and Notorious RBG herself, who gave her 4th annual presentation on Opera And The Law for a sold-out house.  Filming for an upcoming CNN documentary included interviews and informal chat with members of the ensemble and RBG, and a really good time was had by all! (Photo by Carli Kadel)

Critical Acclaim

"Nothing short of spectacular . . . Soprano Patrice Michaels lifts the performance to a higher realm." (Cleveland Plain Dealer)

 

bio

 Cedille Recording Artist Patrice Michaels, soprano is a vocal virtuoso and an eclectic musical personality. Her live and recorded performances in opera, oratorio and chamber music in genres from baroque through contemporary repertoire, and her distinctive dramatic concerts rank her as "A formidable interpretative talent" (The New Yorker ), possessing "a voice that is light, rich and flexible" (Opera News ), with "pinpoint-accurate . . . bravura" (Boston Globe ). "Like the Romantic ideal of art, Patrice Michaels' voice is both natural and passionate" says Classical CD Digest, demonstrating "poise, musicianship and impressive fioratura" (Los Angeles Times ). Passionate about both performance and artistic creation, Patrice's diverse projects and abilities establish her as a truly unique singing artist and one of the finest American sopranos of her generation.

CONCERT ENGAGEMENTS featuring Ms. Michaels include appearances with the Shanghai, Czech National, St. Louis, Omaha, Atlanta, Phoenix, Milwaukee, and Minnesota Orchestras, the Maryland Handel Festival, Dallas Bach Society and Charlotte, Kansas City and Virginia Symphonies, as well as New York's Concert Royal and Chicago's Music of the Baroque. Ms. Michaels has sung Mozart's Great Mass in C Minor with Stanislaw Skrowaczewski, Bach's Christmas Oratorio with Robert Shaw, Mahler 4 with Zdenek Macal, Mozart Arias with Andrew Parrott and Nicolas McGegan, Carmina Burana with Joanne Falletta and Beethoven 9 with Andreas Delfs and Victor Yampolsky.

Ms. Michaels includes in her OPERATIC CREDITS the Hal Prince production of Candide at Lyric Opera of Chicago. She made her debut with the Cleveland Opera as Marzelline in Fidelio and has sung with Central City Opera, Tacoma Opera, The Banff Centre, Canada and Chicago Opera Theater. She recorded the role of Monica in Menotti's The Medium (Cedille Records) with Joyce Castle in the title role.

RECITAL APPEARANCES for Patrice include three consecutive seasons at the Festival of Contemporary Music in Havana, Cuba and tours of Mexico, Japan, Venezuela, Barbados and Belize. She performs frequently in the United States and Canada, has sung with pianist John Browning for Music at the Supreme Court, as guest artist with the Chicago Chamber Musicians and Trio Chicago & Friends, for the Schubert Club of St. Paul and for many academic institutions, including her alma mater Pomona College, Northwestern University and Harvard.

Patrice has received consistent critical acclaim for her many RECORDINGS, including most recently On Course: The Music of Laurie Altman; American Songs; and La vie est une parade with Paul Freeman and the Czech National Symphony. She can be heard on the Albany, Amadis, Cedille and Decca labels. Ms. Michaels' current Cedille project, Intersection: Jazz Meets Classical Song is planned for recording in 2013.

Patrice has created and performs four distinctive DRAMATIC CONCERTS: Divas of Mozart's Day is an internationally acclaimed CD, and concert dramatizing 5 of the greatest singers of the Classical era. Intersection: Jazz Meets Classical Song explores the influence of jazz on classical art songs in forms including blues, ragtime and ballads. A Song For Harmonica is a children's introduction to opera, lightheartedly sharing the nature of Inspiration through the history of opera as experienced by two comic characters. Patrice has curated and performs unaccompanied., a 45-minute solo concert of contemporary works including staged and improvised music.

A native of Southern California, Patrice Michaels holds BAs in Music and Theater from Pomona College, an MFA in Voice from the University of Minnesota, Twin Cities, and a certificate from the Music Theatre Studio Ensemble at The Banff Centre in Alberta, Canada. Her esteemed teachers include Janice McVeigh, Roy Schuessler, Tom Wikman and Shirlee Emmons for voice, Vern Sutton, Wesley Balk and Colin Graham for Opera Theater and Dominick Argento and Karl Kohn for composition. Former Professor of Music at Lawrence University's Conservatory of Music in Appleton, Wisconsin, Ms. Michaels currently serves as Director of Vocal Studies at University of Chicago. She is in demand as a master clinician and guest artist, invited to institutions including The Hartt School (Hartford, CT), Tel Aviv's Buchmann-Mehta School of Music, Dreyfoos School of The Arts in West Palm Beach, Pomona College and ISA (Havana, Cuba).

 

  Download Long Bio

 Download Short Bio

 Download Press Kit 

  • "A formidable interpretative talent” (The New Yorker ) with “a voice that is light, rich and flexible” (Opera News ), Ms. Michaels sings the concert and operatic repertoire, and presents four marvelously unique and entertaining dramatic concerts. She is recorded on over two dozen critically acclaimed discs for Cedille, Albany and other labels. Patrice is in demand as a master clinician, and serves as Director of Vocal Studies at The University of Chicago. (full bio)

     
  • Patrice is composing a song cycle titled The Long View, which will premier at the Second Circuit Bench/Bar meeting in May as the semi-annual special featured event. The subject of the song cycle is Supreme Court Justice Ruth Bader Ginsburg, as depicted through the words of a variety of individuals who’ve known this incredible woman in varied ways throughout her eight decades. “Anita’s Story,” released as a single song on the INTERSECTION: Jazz Meets Classical Song CD last year, is included in this musical tribute, which will be sung by Patrice at the premier, collaborating with pianist Kuang-Hao Huang.

     
  • info@patricemichaels.com
    920 570.1393

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